As September becomes October I’ve been reflecting on the past month and setting intentions for the remainder of the year.
I’ve been gradually working more to illustration briefs and am increasingly align my visual creative activities with my communications, marketing and public relations work. It’s an exciting time as these two fundamentals of my work come together.
Striking visual content that catches attention by standing out, as people scroll for meaning and satisfaction on social media, is key to reaching the right people with messages that will make a difference to their lives,
Watch this space.
So here’s my reflection on my favourite illustrations and artworks from September.
From left to right top row:
Stitched greeting card design, new drink concept bottle design, folk costume design for if Inspire by Kim were a country – we have to love nature, our survival depends on it.
From left to right second row:
Floral watercolour painted on location at Renishaw Hall, ‘Summer Reading’ spot illustration for magazine editorial, and finally fabric folk costume design using free machine embroidery, fabric paints and sparkly embellishments.
To see these pieces in more detail please click on these links.
Looking forward to October it’s a busy time for me with annual property management tasks, business strategy work and putting creative communications agreements in place for the new year.
As well as this I’ll be using #inktober (the ink drawing a day for October) prompts as briefs to visually communicate fundamental messages that I passionately believe in. Pop back through the month to see those or see the daily posts at Inspire by Kim Instagram.
Here’s my first day illustration to kick off the month…
It’s also the time for stocking my shop ready for the Christmas shopping 🛍 spree. Pop in and take a look.
Thanks for being here. Get in touch if you’ve a positive project that you want help communicating.
I’ve really enjoyed creating in August. The month started off with the Helen Dardik workshop in Rotterdam which was beautiful and inspiring. The month and art has flourished from there.
I created an illustrated map, an instructional illustration for #PortfolioClub, an illustrated Recipe prompted by Flow Magazine’s book 50 Ways To Draw Your Beautiful Ordinary Life. I also created a party invitation book cover and stitched/painted self portrait.
I added new items to my Folksy shop as we start to get ready for the busy festive period.
To learn more about this latest work follow these links❤️
Delighted with my latest furniture restoration. This mid-century G Plan Astro table designed by Victor Bramwell Wilkins. I love how the teak sings when it has been cleaned and oiled. Turning back time for this stunning table.
The table changed somewhat from the original prototype drawings, scroll to see.
Wanted one of these since seeing the table in Wendy’s office in the TV programme Billions.
Poppy stages embroidery inspired by our morning walk.
Saw this pretty poppy on our walk yesterday morning so I decided that it would be my subject for an appliqué embroidery. It’s not quite finished, a little hand sewing to follow, please pop back to see the completed work.
Created at @dawnirelandtextileartist workshop at #stitchedupandfleeced
It is four years since I decide to push visual arts to the top of my priority list.
Major knee injury meant I had to pass on the opportunity that I’d been hankering for years, to manage the PR for Meadowhall. Facing months on crutches and unable to drive, life was taken up by the countless rehab exercises and everything normal took three times as long. With a recovery period quoted in years rather than weeks time began to feel different. I had so little time spare that I had to get to the nub of spending time how my soul needed and what emerged from valuable sessions with my wonderful life coach Heidi-Mai, was art… making… creating, colour, I felt like there was a whole lot of colour and creations inside me that needed to be let out into the world. And so my visual art journey changed up a gear and I began to prioritise this work, moving it from the ‘indulgent, blissful hobby’ to the ‘if I don’t have much time available I’m going to spend it on what feels great’. And with a feeling of naughty delight I signed up for an Art Foundation course.
What an exploration it has been, and continues to be. I’ve always enjoyed a steep learning curve and staying on such a curve keeps me interested and motivated.
In the first four years I’ve had a solo exhibition, had work in four public exhibitions, have begun teaching fabric design techniques, have shared art skills in school, created commissioned artworks, designs, infographics, videos, animations and have made products from miniature pot plants to fabric birds.
I don’t know where the work is leading and when I’m in the creative moment I don’t think it really matters where or whether it leads. For me creating and making is calming, rejuvenating and present. It’s my antidote to the harrowing stories that the media try to intrude into my calm.
Here are my favourite pieces from the past four years. I look forward to seeing what will emerge from my work in the future.
I’m not stopping here. I’m busy preparing for my next workshop on Sunday 2nd June at Stitched Up and Fleeced, Sheffield.
I’m working on personal projects and strategic commercial communications. I’ve a plan for a book, watch this space, and have some exciting collaborations ahead.
Here are my favourite posts from the past four years:
Here are anniversary stories from the years you may have missed. I’ve always worked on the proviso that my work will improve, although I’ve a good way to go to be at the level I aspire to, when I reflect I can see the progression. Practice makes better…
This one day workshop gives the opportunity to bring stitch into the fabric design process. Stitching before and/or after transferring designs onto the fabric gives some beautiful effects and is fun to explore.
You can bring your own sewing machine or use one of the studio’s machines.
With an idea to create doll I drew sketches then began assembling pieces of fabric that I had created through exploration with free machine embroidery techniques and heat sensitive fabric paints.
I’ll be demonstrating how to design and colour fabric in this way at a workshop on Sunday 2nd June. More details here and to follow.
I arranged the fabric pieces I’d created and stitched them together on my beloved Bernina before free motion embroidering further details of my favourite things, swimming fish, tulips, spiral shapes, hearts and flowers.
Once I had the assembled and embroidered a length of fabric I drew pattern shapes and then cut them from the fabric thinking carefully about the placement of the different designs, details and colours, so as to create a striking bright design and balance where the colours popped against each other.
I stitched the legs and arms front to backs and she started to take shape.
My optician had asked me to capture my colourful Johann Von Goisern frames with my artwork so this seemed a good opportunity for a shot for this. The optician called it ‘frames and threads’ and shared it on their social media.
As the doll has two facial expressions one eyes open and one in calm restful bliss I needed only a little hair. I had a small piece of the bias binding leftover that I had pressed with magenta coloured heat sensitive paints, and wax relief of Passion flower tendrils, for the draught excluder project.
Turns out she’s a sun lover, I spotted her relaxing in the sunshine as I rethreaded my needle.
This work gave rise to the idea of placing supportive words and phrases on a doll to reassure and inspire the owner when life feels its most challenging, I’m going to develop that idea further.
Try it yourself:
All of these pieces of fabric were plain white when I began this project. Using heat sensitive paints I added colour and design to the fabrics to create something unique and original.
You can learn and explore these wonderful dye and stitch techniques, creating with colours and designs that you love to make something beyoutiful and uniquely you.
Join me on Sunday 2nd June at Stitched Up and Fleeced in Sheffield. 10 – 4 pm, £60. A wonderful day, no experience necessary.
You can book now by messaging your interest at this link.
Thanks for reading and I hope you’ve enjoyed this work.
I’m off to draw the doll now in different poses and develop a story around her.
If you’ve enjoyed this post these are other projects that you may enjoy seeing…
Now don’t get me wrong it’s not that I don’t like peppers. I find them deliciously tasty, but it took some years to pinpoint that being doubled over with severe stomach cramps, hot and cold sweats, three days when I couldn’t get out of bed, diahorrea until my system was empty, was due to eating bell peppers.
Give me a chilli and I’m happy and fine, but a fragment of bell pepper or a pinch of paprika and I loose the next few hours at least. Until my body has painfully fought the peppers and kicked them back out of my system.
It was suggested to me by a GP that it may be IBS, which is why I believe some people could be thinking and dealing with what they believe is IBS when they might just need to drop peppers from their diet.
Heatpressing hand painted peppers
Machine rendering after hand sewing
Now peppers are very nutritious for some people, but they can be anaphylaxic for some. However they are almost never listed on food menus and food packaging as allergens. Often they’re not written on food menus, despite them being part of the dish. Due to their colourfulness peppers are often used in ‘food on the go’ meals such as salads. Really helpfully they’re often finely chopped and written in minuscule font on the ingredients list on packaging.
So I just want to make people, you even, more aware of the possible reactions and physical responses to peppers. Maybe this work can take away someone’s pain or discomfort.
So I’m asking people to think before they eat and serve bell peppers and paprika, I’m asking food retailers to think before they add bell peppers and paprika and to make it as an allergen, and for restaurants to always state where bell peppers and paprika have been used in their dishes. And please use a different chopping board for peppers.
Thank you for reading to the end. Next time you eat peppers just observe in the time afterwards how you feel. If you have any of the symptoms listed in this article you might want to see if the symptoms clear up or cease.
Eat happy, be happy, consider pushing aside the peppers.
Free Download – I’ve created an illustrated download for those with Bell Pepper allergies and intolerances. This is for use in restaurants, hotels at home and abroad. Please feel free to print and/or share this with someone that it may help, and to raise awareness of this food allergy. Card size set to 9 x 13cm.
Related work: Work that relates to the techniques is at the following links. I often find that the work is stepping stones to the next creation, like a bright creative path where the next step is revealed upon completion of the present one. These creative projects led to this work.