It is four years since I decide to push visual arts to the top of my priority list.
Major knee injury meant I had to pass on the opportunity that I’d been hankering for years, to manage the PR for Meadowhall. Facing months on crutches and unable to drive, life was taken up by the countless rehab exercises and everything normal took three times as long. With a recovery period quoted in years rather than weeks time began to feel different. I had so little time spare that I had to get to the nub of spending time how my soul needed and what emerged from valuable sessions with my wonderful life coach Heidi-Mai, was art… making… creating, colour, I felt like there was a whole lot of colour and creations inside me that needed to be let out into the world. And so my visual art journey changed up a gear and I began to prioritise this work, moving it from the ‘indulgent, blissful hobby’ to the ‘if I don’t have much time available I’m going to spend it on what feels great’. And with a feeling of naughty delight I signed up for an Art Foundation course.
What an exploration it has been, and continues to be. I’ve always enjoyed a steep learning curve and staying on such a curve keeps me interested and motivated.
In the first four years I’ve had a solo exhibition, had work in four public exhibitions, have begun teaching fabric design techniques, have shared art skills in school, created commissioned artworks, designs, infographics, videos, animations and have made products from miniature pot plants to fabric birds.
I don’t know where the work is leading and when I’m in the creative moment I don’t think it really matters where or whether it leads. For me creating and making is calming, rejuvenating and present. It’s my antidote to the harrowing stories that the media try to intrude into my calm.
Here are my favourite pieces from the past four years. I look forward to seeing what will emerge from my work in the future.
I’m not stopping here. I’m busy preparing for my next workshop on Sunday 2nd June at Stitched Up and Fleeced, Sheffield.
I’m working on personal projects and strategic commercial communications. I’ve a plan for a book, watch this space, and have some exciting collaborations ahead.
Here are my favourite posts from the past four years:
Here are anniversary stories from the years you may have missed. I’ve always worked on the proviso that my work will improve, although I’ve a good way to go to be at the level I aspire to, when I reflect I can see the progression. Practice makes better…
This one day workshop gives the opportunity to bring stitch into the fabric design process. Stitching before and/or after transferring designs onto the fabric gives some beautiful effects and is fun to explore.
You can bring your own sewing machine or use one of the studio’s machines.
With an idea to create doll I drew sketches then began assembling pieces of fabric that I had created through exploration with free machine embroidery techniques and heat sensitive fabric paints.
I’ll be demonstrating how to design and colour fabric in this way at a workshop on Sunday 2nd June. More details here and to follow.
I arranged the fabric pieces I’d created and stitched them together on my beloved Bernina before free motion embroidering further details of my favourite things, swimming fish, tulips, spiral shapes, hearts and flowers.
Once I had the assembled and embroidered a length of fabric I drew pattern shapes and then cut them from the fabric thinking carefully about the placement of the different designs, details and colours, so as to create a striking bright design and balance where the colours popped against each other.
I stitched the legs and arms front to backs and she started to take shape.
My optician had asked me to capture my colourful Johann Von Goisern frames with my artwork so this seemed a good opportunity for a shot for this. The optician called it ‘frames and threads’ and shared it on their social media.
As the doll has two facial expressions one eyes open and one in calm restful bliss I needed only a little hair. I had a small piece of the bias binding leftover that I had pressed with magenta coloured heat sensitive paints, and wax relief of Passion flower tendrils, for the draught excluder project.
Turns out she’s a sun lover, I spotted her relaxing in the sunshine as I rethreaded my needle.
This work gave rise to the idea of placing supportive words and phrases on a doll to reassure and inspire the owner when life feels its most challenging, I’m going to develop that idea further.
Try it yourself:
All of these pieces of fabric were plain white when I began this project. Using heat sensitive paints I added colour and design to the fabrics to create something unique and original.
You can learn and explore these wonderful dye and stitch techniques, creating with colours and designs that you love to make something beyoutiful and uniquely you.
Join me on Sunday 2nd June at Stitched Up and Fleeced in Sheffield. 10 – 4 pm, £60. A wonderful day, no experience necessary.
You can book now by messaging your interest at this link.
Thanks for reading and I hope you’ve enjoyed this work.
I’m off to draw the doll now in different poses and develop a story around her.
If you’ve enjoyed this post these are other projects that you may enjoy seeing…
I’m delighted to have received these testimonials after a run through of my upcoming workshop, which will take place at Stitched Up And Fleeced in Sheffield on 9th March from 10-12:30.
“The workshop had a relaxed environment in which I felt comfortable asking for help or any questions about the work. The organisation of the workshop meant it was enjoyable and the time given meant I wasn’t rushed into completing my design. I am very happy with what I produced and the skills and knowledge about heat press and the dyes I developed during the process.” AGR, Sheffield.
“I thoroughly enjoyed trying a totally new skill. Instructions were very clear and the group dynamic made the whole experience much fun. It was great to see the vibrant finished result emerge from my own design. It was rewarding to complete the task from beginning to end in just a few hours.” JPS Chesterfield.
“Amazing evening experiencing the ‘Magical’ creation, made possible by the unique experience of Kim and her Heat Press techniques.” MK, Manchester.
The workshop provides the opportunity to create a design and transfer it onto fabric for use in a fashion, sewing or craft project.
Priced at just £30 it’s a lovely, great value experience for some quality ‘you time’ or a lovely early Mother’s Day gift.
Thanks so much for reading to the end. I’m delighted with this work and will be looking at the display of it. So watch this space by popping your email address in the box at the top of the page to follow my blog. Normally a maximum of one post per week, a little bright creativity into your inbox
Here is the work that led to the passion flower creation.
And finally here are flowers I painted in pomegranate juice (and a little green watercolour). The juice was a stunning pink so I could resist making art with it. The work is inspired by a great book I’m reading The Joy of Watercolour by Emma Block.