I’ve created some garden sign designs of ice-cream and ice lolly nostalgic summertime themes.
Ice-Cream painted sign. The wonderful, iconic 99 ice-cream, here in a tasty wafer cone, with chocolate at the end. 😋 Poster design to enhance the garden shed. Adding some fun summer icons.
The second design, with the same colour palette, again in acrylic paints was themed on the Fab ice lolly.
Nice weather meant it was possible to get outside and paint.
Have a Fab day! Fab ice lolly themed poster art. Enjoyed painting this piece. Please scroll sideways to see the work. Research was fun, and tasty 😋. The fab lolly is a product which is still going strong after more than 50 years!
The latest instalment of my Ski A-Z for the letter ‘F’
There is flow and freedom in skiing which can feel like you’re flying. I love it when gliding along on skis on the mountain tops can feel like flying. Often birds can be seen flying in the valleys below.
I wanted to capture this feeling in this artwork. A sunny day is a must to conjure this magic feeling.
I feel this sensation of flight most in Les 3 Vallees above St Martin de Belleville and Meribel, when heading in the direction of Val Thorens.
The feeling of flying got me thinking about how Olympian Eddie ‘The Eagle’ Edwards must be the British person who has most experienced a feeling of flying on skis. Unusually Eddie, originally a downhill racer, first ski jumped as an adult. In a feat of courage and resolve he created a new British ski jumping record of 73.5 metres, the equivalent of jumping over 6 double decker buses.
I contacted Eddie (his given name is Michael), now inspiring people as a motivational speaker. I asked him about how skiing can feel like flying.
Eddie Edwards, said, “To fly……. is to be free!!”
I wanted to create an illustration which captured the freedom of flight mentioned in Eddie’s quote, along with the joy he demonstrated to the crowds after his Olympic ski jumps.
I don’t usually have a person in mind when painting faces for the Ski A-Z characters, I’m more trying to demonstrate joy and emotion in the expressions of the skiers.
A big thank you to Eddie for the quote, and the inspiration for the illustration.
Finally here’s a very short animation of the Fly, Freedom, Flow painting with a delicate ethereal stitched wing, to bridge between reality and imagination.
So, next up is the letter ‘G’ watch this space and follow to be sure to see the new work as it’s created.
Many people missed out on skiing this winter or had their seasons cut short. I hope that my artworks can give a positive vibe, to spark feel good memories.
If you’ve not seen the previous ski illustrations I’ve been working on you can see them at these links.
It is four years since I decide to push visual arts to the top of my priority list.
Major knee injury meant I had to pass on the opportunity that I’d been hankering for years, to manage the PR for Meadowhall. Facing months on crutches and unable to drive, life was taken up by the countless rehab exercises and everything normal took three times as long. With a recovery period quoted in years rather than weeks time began to feel different. I had so little time spare that I had to get to the nub of spending time how my soul needed and what emerged from valuable sessions with my wonderful life coach Heidi-Mai, was art… making… creating, colour, I felt like there was a whole lot of colour and creations inside me that needed to be let out into the world. And so my visual art journey changed up a gear and I began to prioritise this work, moving it from the ‘indulgent, blissful hobby’ to the ‘if I don’t have much time available I’m going to spend it on what feels great’. And with a feeling of naughty delight I signed up for an Art Foundation course.
What an exploration it has been, and continues to be. I’ve always enjoyed a steep learning curve and staying on such a curve keeps me interested and motivated.
In the first four years I’ve had a solo exhibition, had work in four public exhibitions, have begun teaching fabric design techniques, have shared art skills in school, created commissioned artworks, designs, infographics, videos, animations and have made products from miniature pot plants to fabric birds.
I don’t know where the work is leading and when I’m in the creative moment I don’t think it really matters where or whether it leads. For me creating and making is calming, rejuvenating and present. It’s my antidote to the harrowing stories that the media try to intrude into my calm.
Here are my favourite pieces from the past four years. I look forward to seeing what will emerge from my work in the future.
I’m not stopping here. I’m busy preparing for my next workshop on Sunday 2nd June at Stitched Up and Fleeced, Sheffield.
I’m working on personal projects and strategic commercial communications. I’ve a plan for a book, watch this space, and have some exciting collaborations ahead.
Here are my favourite posts from the past four years:
Here are anniversary stories from the years you may have missed. I’ve always worked on the proviso that my work will improve, although I’ve a good way to go to be at the level I aspire to, when I reflect I can see the progression. Practice makes better…
Years in the making, and hundreds of tiny details in paper, but I’m pleased to have completed my Brighton inspired Seaside Arches.
In a big move forward for me I am, for the first time, offering three paperart originals for sale in my Folksy shop. (Act quick before I change my mind).
The British seaside inspired this piece. I tried to keep to a limited colour palette, which is tricky as I love colour so much. The steam train is arriving at the seaside where the arches are a tea and ice-cream cafe, a beach paraphernalia shop and a boutique with pretty dresses, hats and handbags. The picture captures a warm sunny day with brightly coloured bunting being tousled by the warm, salty sea breeze.
This time the small white dog Sam is joined by my new little four legged friend, thanks to www.BorrowMyDoggy.com, with both wearing neckerchiefs.
There’s a deckchair and beach towel available for anyone wanting to imagine themself into the pretty seaside scene. Hmmm memories of happy days by the sea.
This winter scene is influenced by gingerbread houses, ski trips to the Alps and Russia, my love of ice skating and a chocolatier selling from a street booth I spotted in Lisbon. There’s a shift in the scene from Autumn trees into winter and the cosyness of festive lights.
Going to the seaside is all about breaking away from the norms and city to race eagerly towards the seaside, the East coast of England in this picture, the shores of Lincolnshire and Norfolk. A pretty cottage awaits the family’s arrival with a fun big wheel and ice cream van to cool down after some sunny time on the beach.
People always ask how long the pictures take to make but I’m never counting the hours as I find a happy space in cutting and placing each piece of paper to build the picture. It can be almost meditative. I most like to do this work at the table in our garden but it’s rare for sunny days still enough to work with such tiny pieces of paper; they can so easily be carried by the wind, but those rare days are magical.
I’m going to be bringing my paper art skills together with the fabric design techniques I’ve been exploring to create some cut paper fabric designs. There, now I’ve said it here I’ll make it happen. Watch this space and see more at my Instagram feed.
With an idea to create doll I drew sketches then began assembling pieces of fabric that I had created through exploration with free machine embroidery techniques and heat sensitive fabric paints.
I’ll be demonstrating how to design and colour fabric in this way at a workshop on Sunday 2nd June. More details here and to follow.
I arranged the fabric pieces I’d created and stitched them together on my beloved Bernina before free motion embroidering further details of my favourite things, swimming fish, tulips, spiral shapes, hearts and flowers.
Once I had the assembled and embroidered a length of fabric I drew pattern shapes and then cut them from the fabric thinking carefully about the placement of the different designs, details and colours, so as to create a striking bright design and balance where the colours popped against each other.
I stitched the legs and arms front to backs and she started to take shape.
My optician had asked me to capture my colourful Johann Von Goisern frames with my artwork so this seemed a good opportunity for a shot for this. The optician called it ‘frames and threads’ and shared it on their social media.
As the doll has two facial expressions one eyes open and one in calm restful bliss I needed only a little hair. I had a small piece of the bias binding leftover that I had pressed with magenta coloured heat sensitive paints, and wax relief of Passion flower tendrils, for the draught excluder project.
Turns out she’s a sun lover, I spotted her relaxing in the sunshine as I rethreaded my needle.
This work gave rise to the idea of placing supportive words and phrases on a doll to reassure and inspire the owner when life feels its most challenging, I’m going to develop that idea further.
Try it yourself:
All of these pieces of fabric were plain white when I began this project. Using heat sensitive paints I added colour and design to the fabrics to create something unique and original.
You can learn and explore these wonderful dye and stitch techniques, creating with colours and designs that you love to make something beyoutiful and uniquely you.
Join me on Sunday 2nd June at Stitched Up and Fleeced in Sheffield. 10 – 4 pm, £60. A wonderful day, no experience necessary.
You can book now by messaging your interest at this link.
Thanks for reading and I hope you’ve enjoyed this work.
I’m off to draw the doll now in different poses and develop a story around her.
If you’ve enjoyed this post these are other projects that you may enjoy seeing…
I’m delighted to have received these testimonials after a run through of my upcoming workshop, which will take place at Stitched Up And Fleeced in Sheffield on 9th March from 10-12:30.
“The workshop had a relaxed environment in which I felt comfortable asking for help or any questions about the work. The organisation of the workshop meant it was enjoyable and the time given meant I wasn’t rushed into completing my design. I am very happy with what I produced and the skills and knowledge about heat press and the dyes I developed during the process.” AGR, Sheffield.
“I thoroughly enjoyed trying a totally new skill. Instructions were very clear and the group dynamic made the whole experience much fun. It was great to see the vibrant finished result emerge from my own design. It was rewarding to complete the task from beginning to end in just a few hours.” JPS Chesterfield.
“Amazing evening experiencing the ‘Magical’ creation, made possible by the unique experience of Kim and her Heat Press techniques.” MK, Manchester.
The workshop provides the opportunity to create a design and transfer it onto fabric for use in a fashion, sewing or craft project.
Priced at just £30 it’s a lovely, great value experience for some quality ‘you time’ or a lovely early Mother’s Day gift.
Celebrating 3 years: It’s now three years since I began focussing on art and making. After injuring my knee I decided to follow my heart and felt a need to let out the colour and creative potential that I instinctively knew was within me.
Switching to a less commercial line of work has not been easy and has taken courage and conviction, but as I continue to explore and my work evolves I’m keen to see what I’ll be creating next.
The highlights of the past three years have been two Art and Design year long course Distinctions, a solo art exhibition, and being commissioned by customers to create bespoke artworks and gifts.
Collage of my favourite 9 from the past 3 years…
Latest work: My latest creation is an embroidered work for a dear friend, inspired by an image. I felt real flow in this work and felt guided in creating it by some artistic wisdom that joined me while I hand and machine appliquéd and stitched.
Workshop Development: Exciting news is that I’m developing a heat press workshop. This will given people the opportunities to develop a design and print it onto fabric in just 2 hours. Watch this space for news and dates. if you’re not signed up to receive Inspire news then you can do so by typing your email address into the box above.
Work in progress: Miniature plants need a miniature place to grow so I’ve been building a greenhouse in Fab lolly sticks with a Magnum stick for decoration. I’ve also tried a more rustic ones from twigs pruned from my Japanese Acer. Need to eat a fab lolly or two more to be able to complete the roof structure. I’m considering whether to plant miniature climbing plants with the rustic greenhouse to encourage them to grown up and within it.
Greenhouse picture 1 &2
Ceramics: I’m exploring ceramics, its not an area I’ve studied before so I’m learning hand building techniques. More on that when the pieces have been fired.
Commission Time: Christmas is coming and its traditionally a time for commissioned artworks for loved ones, providing a bespoke gift made for them. My deadline this year for commission requests, to be ready in time for Christmas is 31st October. Please email me and I’ll help determine all that’s needed to begin the creation of your unique artwork.
Thanks for the support in the past three years and here’s to the future. To creativity, and beyond!
October is #Inktober: I’m taking the #Inktober challenge again this year. My intention is to try to illustrate the prompt words simply and clearly. You can see my ink creations in my Instagram ‘stories’.
I was asked to make a colourful cushion featuring a bird and flowers with this drawing from a lovely customer:
I thought about whether I might seek such a fabric design, but I didn’t have the desire to go hunting for a fabric, so I designed my own.
Having found painted designs that the dye colours can mush together I decided to try a collage technique, as developed in some of my favourite work, my paper cut pictures.
I firstly prepared papers by carefully painting them with transfer dyes then cut and assembled pieces to build a design. I liked the composition on a cute practice design (above), but felt that the colours lacked texture and depth. So I tried wax relief frottage techniques learned at UAL Chelsea and also hand-painted my favourite flowers inspired by our own garden and a visit to the wonderful tulip gardens of Keukenhof and the Botanical Garden in Leiden earlier this year. I challenged myself to limit colours to the wine red, golden yellow and turquoise Colourcraft Transfer Dyes.
I cut shapes and enjoyed assembling these to form the design for the main panel of the cushion.