It is four years since I decide to push visual arts to the top of my priority list.
Major knee injury meant I had to pass on the opportunity that I’d been hankering for years, to manage the PR for Meadowhall. Facing months on crutches and unable to drive, life was taken up by the countless rehab exercises and everything normal took three times as long. With a recovery period quoted in years rather than weeks time began to feel different. I had so little time spare that I had to get to the nub of spending time how my soul needed and what emerged from valuable sessions with my wonderful life coach Heidi-Mai, was art… making… creating, colour, I felt like there was a whole lot of colour and creations inside me that needed to be let out into the world. And so my visual art journey changed up a gear and I began to prioritise this work, moving it from the ‘indulgent, blissful hobby’ to the ‘if I don’t have much time available I’m going to spend it on what feels great’. And with a feeling of naughty delight I signed up for an Art Foundation course.
What an exploration it has been, and continues to be. I’ve always enjoyed a steep learning curve and staying on such a curve keeps me interested and motivated.
In the first four years I’ve had a solo exhibition, had work in four public exhibitions, have begun teaching fabric design techniques, have shared art skills in school, created commissioned artworks, designs, infographics, videos, animations and have made products from miniature pot plants to fabric birds.
I don’t know where the work is leading and when I’m in the creative moment I don’t think it really matters where or whether it leads. For me creating and making is calming, rejuvenating and present. It’s my antidote to the harrowing stories that the media try to intrude into my calm.
Here are my favourite pieces from the past four years. I look forward to seeing what will emerge from my work in the future.
I’m not stopping here. I’m busy preparing for my next workshop on Sunday 2nd June at Stitched Up and Fleeced, Sheffield.
I’m working on personal projects and strategic commercial communications. I’ve a plan for a book, watch this space, and have some exciting collaborations ahead.
Here are my favourite posts from the past four years:
Here are anniversary stories from the years you may have missed. I’ve always worked on the proviso that my work will improve, although I’ve a good way to go to be at the level I aspire to, when I reflect I can see the progression. Practice makes better…
This one day workshop gives the opportunity to bring stitch into the fabric design process. Stitching before and/or after transferring designs onto the fabric gives some beautiful effects and is fun to explore.
You can bring your own sewing machine or use one of the studio’s machines.
It’s a year this week since my Heat Press machine arrived and made it possible for me to press my painted designs from paper onto fabric.
I’ve been reflecting on the work and continue to enjoy exploring the potentials of this colourful science of heat sensitive dyes.
Here are the highlights of the work using these fabric design techniques.
Most recently this colourful doll. All the fabric was white when I began the work. I added colour and stitch inspired by my favourite things.
One of the first things I made with my machine was this miniature bunting.
As I wanted flowers to always be at our Juliet balcony I created this tulip box draught excluder.
To help me relax and snooze whilst travelling I made this pretty eye mask, printing the fabric and the bias binding with my hand painted designs.
In a campaign to raise awareness of bell pepper allergies and intolerances I created this piece by painting then free motion embroidery.
I collaged pieces of painted paper to create this portrait.
My latest make was tennis themed bunting, joined with heat pressed ribbon, as part of promotion work for a tennis club.
In February I created samples to show different techniques and shared these at a half day workshop. Thanks so much to the workshop attendees, it was wonderful to see how you enjoyed putting your designs onto fabric. I can’t wait to see your creations with the fabrics you designed and made.
One of my favourite creations was the miniature cheese plant. Using hand painted leaves I pressed them onto satin, and using wire I stitched them and arranged them into this pretty home decor gem which doesn’t need watering or tending.
There’s the opportunity to play with these techniques and design your fabric for a craft, fashion or home decor project at my next workshop.
I’ll be demonstrating and teaching these techniques at a one day workshop in Sheffield on Sunday June 2nd. The workshop is at Stitched Up and Fleeced studio from 10 – 4pm, £60.
The one day workshop will bring stitch techniques into the process to explore how stitch can be used before and/or after pressing the designs onto fabric, to achieve some beautiful effects.
Now there will always be flowers 🌷 by my window. Started with plain white fabric and hand painted the design before printing it onto the white fabric.
From my initial marker drawing to being in use, my designer draught excluder, here’s the story in a less than 40 seconds video.
Painted designs ready for pressing into the fabric.
I reused filling from the previous draught excluder, which the fabric had worn through.
I’m delighted with the end result it’s practical and pretty at our juliet balcony.
I like the immediacy of these fabric design techniques. It takes just 30 seconds to transfer the painted design from paper to fabric. I only use the fabric I print, not having to buy patterned fabric by measurement and trying to match up the patterns, with lots left over. I can just work with white fabrics and print the panels to the size and scale for whatever I am making. This can be reusing and repurposing fabric, anything from clothing to pillowcases. The designs are entirely my own and are unique and unrepeatable. This uniqueness and bespoke nature of these techniques is the magic that I’ve found, and that I enjoy sharing through workshop sessions.
Follow my blog to see dates of upcoming workshops or email me if you’re interested in a one to one session firstname.lastname@example.org
I’ve been on the ball with designs for a local tennis club. After determining and drafting key messages for the club I developed a number of artworks to encourage new members onto the courts through poster designs, and visuals and a video for social media.
Member testimonials for social media to give a player perspective.
I used this tennis ball and changed the colours to create a junior coaching poster….
I’m delighted to have received these testimonials after a run through of my upcoming workshop, which will take place at Stitched Up And Fleeced in Sheffield on 9th March from 10-12:30.
“The workshop had a relaxed environment in which I felt comfortable asking for help or any questions about the work. The organisation of the workshop meant it was enjoyable and the time given meant I wasn’t rushed into completing my design. I am very happy with what I produced and the skills and knowledge about heat press and the dyes I developed during the process.” AGR, Sheffield.
“I thoroughly enjoyed trying a totally new skill. Instructions were very clear and the group dynamic made the whole experience much fun. It was great to see the vibrant finished result emerge from my own design. It was rewarding to complete the task from beginning to end in just a few hours.” JPS Chesterfield.
“Amazing evening experiencing the ‘Magical’ creation, made possible by the unique experience of Kim and her Heat Press techniques.” MK, Manchester.
The workshop provides the opportunity to create a design and transfer it onto fabric for use in a fashion, sewing or craft project.
Priced at just £30 it’s a lovely, great value experience for some quality ‘you time’ or a lovely early Mother’s Day gift.