This one day workshop gives the opportunity to bring stitch into the fabric design process. Stitching before and/or after transferring designs onto the fabric gives some beautiful effects and is fun to explore.
You can bring your own sewing machine or use one of the studio’s machines.
It’s a year this week since my Heat Press machine arrived and made it possible for me to press my painted designs from paper onto fabric.
I’ve been reflecting on the work and continue to enjoy exploring the potentials of this colourful science of heat sensitive dyes.
Here are the highlights of the work using these fabric design techniques.
Most recently this colourful doll. All the fabric was white when I began the work. I added colour and stitch inspired by my favourite things.
One of the first things I made with my machine was this miniature bunting.
As I wanted flowers to always be at our Juliet balcony I created this tulip box draught excluder.
To help me relax and snooze whilst travelling I made this pretty eye mask, printing the fabric and the bias binding with my hand painted designs.
In a campaign to raise awareness of bell pepper allergies and intolerances I created this piece by painting then free motion embroidery.
I collaged pieces of painted paper to create this portrait.
My latest make was tennis themed bunting, joined with heat pressed ribbon, as part of promotion work for a tennis club.
In February I created samples to show different techniques and shared these at a half day workshop. Thanks so much to the workshop attendees, it was wonderful to see how you enjoyed putting your designs onto fabric. I can’t wait to see your creations with the fabrics you designed and made.
One of my favourite creations was the miniature cheese plant. Using hand painted leaves I pressed them onto satin, and using wire I stitched them and arranged them into this pretty home decor gem which doesn’t need watering or tending.
There’s the opportunity to play with these techniques and design your fabric for a craft, fashion or home decor project at my next workshop.
I’ll be demonstrating and teaching these techniques at a one day workshop in Sheffield on Sunday June 2nd. The workshop is at Stitched Up and Fleeced studio from 10 – 4pm, £60.
The one day workshop will bring stitch techniques into the process to explore how stitch can be used before and/or after pressing the designs onto fabric, to achieve some beautiful effects.
I’m delighted to have received these testimonials after a run through of my upcoming workshop, which will take place at Stitched Up And Fleeced in Sheffield on 9th March from 10-12:30.
“The workshop had a relaxed environment in which I felt comfortable asking for help or any questions about the work. The organisation of the workshop meant it was enjoyable and the time given meant I wasn’t rushed into completing my design. I am very happy with what I produced and the skills and knowledge about heat press and the dyes I developed during the process.” AGR, Sheffield.
“I thoroughly enjoyed trying a totally new skill. Instructions were very clear and the group dynamic made the whole experience much fun. It was great to see the vibrant finished result emerge from my own design. It was rewarding to complete the task from beginning to end in just a few hours.” JPS Chesterfield.
“Amazing evening experiencing the ‘Magical’ creation, made possible by the unique experience of Kim and her Heat Press techniques.” MK, Manchester.
The workshop provides the opportunity to create a design and transfer it onto fabric for use in a fashion, sewing or craft project.
Priced at just £30 it’s a lovely, great value experience for some quality ‘you time’ or a lovely early Mother’s Day gift.
This is an opportunity to create your own unique design and transfer it onto fabric. During the workshop you will be guided through steps to create a bespoke design and transfer it onto a fabric of your choice for use in whatever textile, sewing or craft project you wish. You will learn about products, techniques and equipment, how different fabrics respond to the process and how best to prepare them. You will be inspired by what your designs could become. This workshop is supported by ‘Colourcraft’.
The workshop can be booked through the venue website at
I was asked to make a colourful cushion featuring a bird and flowers with this drawing from a lovely customer:
I thought about whether I might seek such a fabric design, but I didn’t have the desire to go hunting for a fabric, so I designed my own.
Having found painted designs that the dye colours can mush together I decided to try a collage technique, as developed in some of my favourite work, my paper cut pictures.
I firstly prepared papers by carefully painting them with transfer dyes then cut and assembled pieces to build a design. I liked the composition on a cute practice design (above), but felt that the colours lacked texture and depth. So I tried wax relief frottage techniques learned at UAL Chelsea and also hand-painted my favourite flowers inspired by our own garden and a visit to the wonderful tulip gardens of Keukenhof and the Botanical Garden in Leiden earlier this year. I challenged myself to limit colours to the wine red, golden yellow and turquoise Colourcraft Transfer Dyes.
I cut shapes and enjoyed assembling these to form the design for the main panel of the cushion.
Here are latest highlights from my Instagram feed. I like Instagram as I can send my work across the planet and people near and far can see it, maybe in far flung places that I can only imagine. From my life to theirs in an instant. Shared interests found.
It’s been a busy time with my Foundation Studies final exhibition. My products exhibited for the first time after months of hard, but enjoyable, work at The Workstation in Sheffield City Centre.
I remembered my intricate paintings of the white dog Sam, completed a year ago, on his journey as he hoped to fly. I shared a previously private video of the ebook. You can watch this, 55 seconds movie, here.
Work In Progress – A rare sunny no breeze day meant I was able to work outside on my next intricate paper cut picture. This imagined scene is inspired by the Brighton’s seafront, with a tearoom, vintage style dress and ladies wear shop, and next a beach goods shop. This is the latest in my series of paper-cut pictures.
For a family birthday for an avid French Alps skier I turned a microfibre glasses cloth into zipper bag on my wonderful Bernina sewing machine.
I hand painted, printed and sewed a shower cap as my final exhibition product. Wipeable lining from my friend’s Sheffield haberdashery emporium Direct. Loved the pink satin binding – a beautiful find from Berwick Street, London.
I made a video of my recent work to promote my exhibition.
And finally my dress design fabulously modelled by Lucy.
The first time trying life drawing is an unusual experience but once you relax into the drawing process Life Drawing requires a careful process of looking, marking the paper, looking again, making marks. The careful consideration of the model’s form and trying to accurately represent it leaves little room for other thoughts making it relaxing and a way of switching off/disconnecting from our busy lives.
I struggle to meditate, find mindfulness a bit confusing but when I’m life drawing I can find a place of conscious thinking which is also a little unconscious. Sometimes I sit back from my drawing and I wonder where it has come from and how that came about as the many small marks become a whole representative piece.
Non-judgement of the drawing during its creation calms the mind, slows the breathing and allows for an enjoyable process. I use the thought that ‘with practice the drawing will only get better’, so I try not to judge the drawing but let the process of practice deal with my development.
I first tried life drawing 13 months ago, here are the drawings from the latest session. This session began a little differently as the model was wearing a satin gown, so we could try to capture the texture and folds of the fabric. This was inspired by the ‘Robes‘ series of artworks by American artist Jim Dine created over an almost 50 year period as a form of self portrait from 1964 onwards. (Bizarre concept but fab colours)?
It’s a very pure form of art that has remained the same process for hundreds of years.
You can use whatever medium you wish for life drawing in this session I worked in Quink, my favourite pink drawing ink and also at the end of session oil pastels.
The drawing is valuable practice in representing form of all kinds and aids observation skills, so it’s beneficial to all art work. If you’ve not tried it, and like me forget that you were trying to meditate or be mindful, then maybe try life drawing to achieve calm.
Here are a range of related posts.
Thanks for being here, have fun!
It is my goal to inspire people, so if you have been inspired at all I’d love to hear about that or see art or creations as a result. Thank you sincerely for your support, for following my blog, for visiting. If there is anyone that you think might be inspired by my art please share http://www.inspirebkim.com with them, for this I would be grateful.