Sometimes small things can make a delightful difference to your holiday. Here are a few suggestions from our recent beach holiday that I’d recommend.
If you’re using hotel beach towels it can be nice to take a small towel for your face/head at the top of your sunbed.
I chose this beautiful Collier Campbell towel. The bright design was stunning in the sun, the fabric soft and easy to spot when returning from a swim in the sea.
It’s important to stay hydrated and it’s possible to stop using trillions of plastic cups on holiday by using a flask. This one is by Life’s a Beach. It kept my water cold all day, saved single use plastic and looks fabulous. Good for the environment and good to use.
Tidy towel – when the sea breeze is buffeting your beach towel these clips keep your towel secure whatever the sunbed design. They can also be used to hang clothes and, as I was here, to secure fabric around Balinese beds.
I love to carry watercolours when on holiday. Painting a scene is an opportunity to really observe and take in the detail, which is great for recalling the holiday feel-good factor when you’re back home. There’s also something magical about the feeling of painting with salt water.
More sunny holiday related posts are at these links:
I thought it may be helpful to share some creative apps, favourite tools and tips for use in visual arts and design.
A great convenient, ‘on the go’ tool for scanning using your phone and the CamScanner app. You can either take a scan/picture using the app or can import an image to convert that into a scan. The app locates the boundaries of your image and adjusts the light so you can even scan in low light. It’s a huge time saver and has a good memory capacity before it requires any payment. You don’t get bugged by ads. CamScanner is 🌟🌟🌟🌟🌟 in my opinion.
My phone is a key tool in my work, for photographing, drawing, editing. The camera on this phone model takes beautiful images and the ‘portrait’ mode is a useful feature for product shots and photographing work. I like the ‘pano’ feature for creative shots. Couldn’t function without this. Great size, weight and stable when used with a tripod. iPhone XS 🌟🌟🌟🌟🌟
How I love Pixelmator. I can’t say how much I use it as it’s seamless in my work. I’m probably across in the app 5 times a day. Layering images, drawing, adding text, creating social media ads, resizing, mocking up ideas, creating repeat patterns. The app is intuitive, making it easy to learn and to use. This is a corker of a creative tool 🌟🌟🌟🌟🌟
Bernina Sewing Machine
I would never have thought that I could love a sewing machine as much as I do my Bernina. It’s reliable, compact, and with the digital display I know what the machine settings are at a glance. I want to make the marks myself so I’m not interested in sewing machines that take over and do the sewing themselves. Swiss engineering is renowned and my Bernina is a fabulous example of this that runs like clockwork. 🌟🌟🌟🌟🌟
Bernina B215 Sewing Machine sewing an ice cream themed fabric that I designed.
A learning gateway for everything you might ever want to learn about, where someone always seems to have the answer for using a new product, or technique. I’m going to give YouTube 🌟🌟🌟🌟 as the ads can be annoying, but then again it’s ‘free’. YouTube is about the people who take the time to share their experiences and knowledge. Of course it’s best to watch a few videos for any given subject to be able to gather a few perspectives/ methods.
I’ve always enjoyed making films so I love that I can share my movies and reach people through YouTube. Here’s a link to go to my channel.
50 Ways to Draw Your Beautiful Ordinary Life
This book is like a hug of a drawing course. The creators of Flow magazine have done something magical by bringing together exercises from their illustrators to make this big beautiful collection of inspiring, drawing skills inducing delight. Love it with some good TV and a pencil or fine liner. ❤️❤️❤️❤️❤️ Flow Magazine.
The place to see image based posts, as opposed to more wordy content. A window on creative studios, processes and what everyone is working on, it’s such a creative time that we live in. Instagram makes the world shrink to the size of the app and I love how we can connect with kindred creatives and find people with shared interests. And there’s always someone somewhere on Instagram, even in the middle of my night – when the darkness becomes a blank creative canvas for new idea seeds to germinate in my mind. Hoping the ads, which have increased in frequency, don’t takeover, like they appear to have on sister site Facebook 🌟🌟🌟🌟🌟
Also I have to mention PicCollage, which now allows a mix of still images and videos in collages, and WordPress for my blog.
I hope this proves helpful. Wanted to share these findings and also this is a way of expressing gratitude for this tremendous tech and fabulous phone based functions which are my fundamental tools.
Please stay and see some more posts here.
If you’d like a street these are my favourite ones.
The feedback was very positive for the tips and learnings I posted around my first solo art exhibition. So here are tips from learnings at my first group exhibition.
Tips from group exhibition learnings
Be clear on what you want your display to look like. Mock up a photo or draw it so you can show and explain this to organisers.
Frame pieces – display them however they will look best.
Think about lighting, if you’re not sure it will be light enough then work lighting and power into your display and state your requirements in advance.
Think big when you’re creating, big is bold and does attract attention.
Intricacy can be beautiful but think about what it looks like from a couple of metres away, consider impact, eye catching and the experience.
Labelling is important, succinct information about your works.
Identify your invite list in advance and if you can access flyers and leaflets then give those to people you would like to attend.
Think about what people might take away, an attractive postcard can serve as a way of someone taking your contact details and reminding them of your display post event, increasing the impact and the possibility of other opportunities.
When deciding on whether to commit to the exhibition ask the organisers how they will be promoting the event as that is key to its success and value to you.
Even if it’s not an exhibition where the pieces aren’t on sale have a think beforehand what prices you would wish or need to achieve so you’re ready if someone is keen to buy.
If you are selling have a clear record of the advertised prices.
Think sensory, what fragrance/ smells would aromatise your work, consider adding scents. Our venue had a glass ceiling on a hot day, making it like a greenhouse, I was glad I had taken an aroma spray for the fabrics in my work.
Have a run through of possible questions about your work so that you can give clear considered answers if asked.
Be enthusiastic, be yourself.
I mentioned copyrighting in my Solo Exhibition blog posts. You can see those points and more useful exhibiting tips at these links: